New magic of old films: Why are re-localized hits and audiences are pleasing to the audience?

“It is said, there is no tongue of love… it is just felt” – When ‘Veer Zara’ was released again and this dialogue of Shah Rukh Khan in theaters again in theaters, the audience became very emotional. Many such videos appeared on social media, in which the audience looked quite happy to see the movie again on the big screen. In the recent few months, the makers re-respected many old films and this trend is still going on. The magic of re-relief is touching the hearts of the old audience as well as the audience of the new era. Now what is the reason behind the success of these re-relief films, the film Critx Vinod talks to Anupam.

What is the reason that viewers are getting attracted to old films?

The film Critics Vinod Anupam said on this, the biggest reason is that Hindi cinema has been struggling with the story’s crisis and does not seem ready to take risks for new stories. The hard work that has come in front of the cinema after the arrival of multiplexes. The space of multiplex is large, meaning five films are going on together in the same theater. Earlier it used to be that four types of films are being made on the same story and now that you cannot make four types of films on the same story, because all four films are going on in one place.

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Approval of the audience is also important

It is their compulsion to give something new to the audience, so they are returning to the old. It is not ready for the new challenge. So to avoid it, they are returning to the old. It is easy for them that the old films which have been successful, the old films which did not run in that era, bring it back. It happens that some films have been made before the time, such as the third swear. When it was released, the audience did not accept it, later that film is still being appreciated by the audience. There was a film, Anda Apna Apna, that film is discussed equally. Salman Khan-Amir Khan. The film flopped very badly, but on the internet she is an all -time hit and is most seen in films.

Are the makers re-relief films doing any compulsion or there is any other reason?

Vinod Anupam says, it is not ready for the new challenge. Their obligation is that these old stories which have been a hit and have been appreciated, they should bring them back. One reason is that the star system is broken, which was guaranteed to success with Hindi cinema, like Salman Khan took, the film became a hit, Shah Rukh Khan was taken, then the film became a hit. This confusion is also broken by Hindi Senma. Now the stories are getting hit. New things are becoming new things. For that, it is returning backwards, that from there, the films which do not have big stars. Giving an example, he explained that, like Munjya. He had only one innovability.

Release timing is also necessary

Vinod Anupam told that the timing of the film’s release is necessary. At the time when you released the film for the first time, then many big films are going on in the theater, then the films are buried. Since you have got the theater empty and there is no such challenges in the theater, then the film is accepted. The mood of the dialect also changes.

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Old tradition is to release movies

The tradition of releasing old films has been very old. Earlier, during the time of festivals, especially during Dussehra, old films used to come in theater. The tradition of now is a bit different from it. The audience from whom the cinema was left is being released for the audience because now the films are not getting old. Now there are movies on the Internet, so no films on the Internet are old. If you go to watch the film of ten years ago, you can also see that in the same quality. This digital media which has come, has retained the newness of films.

What should Bollywood do so that his old credibility is returned?

The biggest reason is that Bollywood has been avoiding its stories. The difficulty with Bollywood has been that he gave up his localism. Got away from that. Hindi cinema had the illusion that we should have national identity. We should also see Madhya Pradesh, we should also look Tamil Nadu. In this effort, she kept getting away from her basic culture, which was the culture of Hindi society. Today, whenever a movie comes, while talking about its special local people, whether it is missing ladies or cheese. In which the place is seen, you relate that this is the story of Maharashtra, this is the story of Uttar Pradesh, this is the story of Bihar. As South’s films are being released across the country, the biggest reason for it is that it does not give up its localism. Hindi cinema will have to return to its local identity again. Local story will have to be found, local presentation will have to be made, only then I think it will be approved. It is also visible whenever it comes with local identity, even if it is gangs of Wasseypur. She has been a hit.

Learn which films earned on re-reliefs